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The Mathematics of Love

The Mathematics of Love

By Tommaso Tocci
Rudolf Thome, director of PINK (Germany), thinks that “a movie without a woman is not a movie”. Such a bizarre belief should put his latest effort – shown as a Berlinale Special – on the right track, since it entirely focuses on the eponymous character of a young poetess.
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Obfuscating in Close-up

Obfuscating in Close-up

By Aaron W. Graham
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Cotton Worker Cinemania at Berlinale Talent Campus Breakfast

Cotton Worker Cinemania at Berlinale Talent Campus Breakfast

By Jonas Holmberg
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Blame Game

Blame Game

by Marcos Kurtinaitis
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Turn Off the Sex-ed, Pedro’s Back to Turn You On

Turn Off the Sex-ed, Pedro’s Back to Turn You On

By Matthew le Cordeur
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All Heist and Nowhere to Go

All Heist and Nowhere to Go

By Siddarth Pillai
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Land of Barren Gold

Land of Barren Gold

By Sitou Ayite
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Gearing up for a Richter Experience

Gearing up for a Richter Experience

By Tommaso Tocci
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Personal Cards and Samples of Work

Personal Cards and Samples of Work

by Eugenia Saúl
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A Hollow Film

A Hollow Film

By Eugenia Saúl
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The Look of Love

The Look of Love

By Jonas Holmberg
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Puccini in the Middle: An Alternative Understanding of Film

Puccini in the Middle: An Alternative Understanding of Film

By Matthew le Cordeur
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The Part and the Whole

The Part and the Whole

By Siddharth Pillai
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Go Meet People

Go Meet People

By Sitou Ayité
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Digital Problem Solvers

Digital Problem Solvers

By Tommaso Tocci

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Bringing the Past Alive

Bringing the Past Alive

By Sitou Ayité
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What She Means When She Talks About It

What She Means When She Talks About It

By Siddharth Pillai
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Reality Is a Struggle, Deal With It

Reality Is a Struggle, Deal With It

By Matthew le Cordeur
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A Fashion Victim

A Fashion Victim

by Marcos Kurtinaitis
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Emanating Architecture

Emanating Architecture

By Jonas Holmberg
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Reinstating and Defying the Casting Couch Myth

Reinstating and Defying the Casting Couch Myth

By Aaron W. Graham
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Jovial and Deliberate

Jovial and Deliberate

By Aaron W. Graham
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I Don’t Believe in Frontiers

I Don’t Believe in Frontiers

By Eugenia Saúl
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It’s Frears ma Chéri

By Eugene Saúl
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A Binding Hope

A Binding Hope

By Jonas Holmberg
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David OReilly: The Mystery Father-to-Be

David OReilly: The Mystery Father-to-Be

By Matthew le Cordeur
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First Impressions

First Impressions

By Marcos Kurtinaitis
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Filmmakers Against Racism: We Shall Overcome

Filmmakers Against Racism: We Shall Overcome

By Siddharth Pillai
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Tangled Love

Tangled Love

By Sitou Ayite
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The Sergeant Never Rings Twice

The Sergeant Never Rings Twice

By Tommaso Tocci
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Waltzing Backwards Across Time

Waltzing Backwards Across Time

By Tommaso Tocci


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Crocodile Tears and Insincerity

Crocodile Tears and Insincerity

By Aaron W. Graham
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Reha’s Cosmos

Reha’s Cosmos

By Aaron W. Graham
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Autumn in Winter

Autumn in Winter

By Eugenia Saúl
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Go Back to Your Goat

Go Back to Your Goat

By Jonas Holmberg
As the hub of the Berlinale is the Potsdamer Platz area, an architectural celebration of a post industrial economy, THE EAGLE HUNTER’S SON might be a useful reminder to the festival goer that there are still places where the dream of an urbanised future lies in coal mining. What might be disturbing, though, for the postcolonial analyst, is the rather conservative moral of this German-Swedish adventure in Mongolia.
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Bringing Words to Life

Bringing Words to Life

by Marcos Kurtinaitis
The Berlinale Talent Campus' Actors Workshop, in conjunction with the Script Station, offered a great opportunity for young screenwriters and actors to jointly exercise their skills. Held over four meetings, the mentors and the group worked on two scripts previously selected from those submitted by the scriptwriting talents: LOVE, TERESA, a romantic and delicate piece about coming to terms with the past by Colombian Tatiana Villacob, and VOICE, a CRASH-style, multi-plot, action drama by Carol Castro from Brazil.
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Beams of life

Beams of Life

By Matthew le Cordeur
Raw reality of lives beaten into the ground – with emotions as bankrupt as the wallet – is no easy feat to pull off in a film. MY ONLY SUNSHINE (Hayat Var) works like an existential trip in telling a harrowing tale of death, survival and growing up under the worst of conditions. It is a saga which is not easy to watch at times. But, that’s not to say this Turkish film by Reha Erdem is bad; quite on the contrary.

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Jungle Boogie

Jungle Boogie

By Siddharth Pillai
For thirty-four years the images and sounds that make up the electric revelry in Jeffrey Levy-Hinte’s documentary SOUL POWER (USA) languished in a vault, first under a civil suit and then as outtakes from WHEN WE WERE KINGS, the Oscar-winning documentary.
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Crafting Talent

Crafting Talent

By Sitou Ayité
Christophe Honoré, Rie Rasmussen and Til Schweiger are multi-talented experts in film who shared their experiences with the Berlinale Talent Campus Talents on February 11 at HAU 1. The session, organised in cooperation with the Panorama section, was moderated by Ben Gibson.
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Talent Press 2009

STATEMENTS BY THE TALENT PRESS 2009

By Sitou Ayite, Matthew le Cordeur, Aaron W. Graham, Jonas Holmberg, Marcos Kurtinaitis, Siddharth Pillai, Eugenia Saul and Tommaso Tocci

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PRESS RELEASE
February 18, 2010
Camilo Sanabria from Colombia wins the Score Competition

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February 2010
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