Berlinale Talent Campus

February 12 — 17, 2011

Nathan Amondson
Production designer who has collaborated on the last three features by Wim Wenders.Has also worked as a storyboard artist,and had a brief acting job in India as the villain of a Hindi soap opera.

Programme Events at the Talent Campus:

14.02.2005 - Production Design: What You See Is What You Get

Nathan Amondson, Moritz Laube

Presented by European Film Academy (EFA) and AVID.

Shooting digitally has its advantages.You are able to realise your vision very quickly; there.s a smaller budget to finance and of course a smaller team to handle.Wim Wenders.LAND OF PLENTY was completely produced on DV at an average of 43 set ups per day. But shooting digitally also has its challenges. Production designer Nathan Amondson worked with little to no budget on the film and ended up bringing it in under budget.

He will share practical ways of designing, making the most of location and getting it done for next to nothing.There is also the large amount of material that accrues that must be organised . in the case of LAND OF PLENTY . by editor Moritz Laube.Presenting clips from LAND OF PLENTY,Wim Wenders, Nathan Amondson and Talent Campus alumnus Moritz Laube discuss the credo of low budget digital filmmaking.


The most of what they got: Wim Wenders. LAND OF PLENTY.

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